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No sudden move cinematography
No sudden move cinematography










27 56 comments Best Add a Comment Now me too more replies Meike Cine Lenses. In the end, as in the beginning, they are filled with mistrust of each other and everyone around them, mistrust that is clearly justified in the murky noir world that Soderbergh and Solomon have. There are also things that are just sort of implied (like a possible relationship between two neighbors) and don’t go anywhere that feel like red herrings just to add a bit of depth to the story but ultimately feel a bit pointless once the credits roll. What lenses were used on No Sudden Move I just saw the premiere at the TriBeCa festival and the lenses were very interesting, they had some weird distortion on the sides when panning, but it didn’t look like barrel distortion. The filmmakers aren’t holding hands here. Unfortunately, it feels a bit messy and although I had no problems understanding what was going on, many people online have. It’s got plenty of twists and turns and the film doesn’t really show it’s hand until the very end. The advent of smaller digital cameras means that Soderbergh.

no sudden move cinematography

One of his stated inspirations for Move‘s cinematography is Nicholas Ray’s Bigger Than Life, a film of vibrant widescreen compositions that nonetheless feel deathly claustrophobic. The story is one of 50’s Motor City espionage, where everyone has a secret and everyone is looking to get paid. As only a restless spirit like Soderbergh can, No Sudden Move goes in the exact opposite direction. Not sure what she was doing, but it felt like dollar-store Anna Faris and not in a good way.

no sudden move cinematography

Needless to say, Soderbergh called in all favors on this one, and everyone aside from the performance by the actor who played the secretary was fantastic. Rounding out the cast are Brendan Frasier, Jon Hamm, Kieran Culkin, and plenty of other cameos that I won’t spoil here because I know I really appreciated it when their faces came up on screen. check out Steven Soderberghs new 2021 film No Sudden Move.

NO SUDDEN MOVE CINEMATOGRAPHY MOVIE

David Harbour rounds out the main trio, a man who just can’t seem to get things done (aside from his secretary, that is). Check out the exciting HBO Max movie releases for 2022:Available March 2West Side Story.

no sudden move cinematography

Benicio Del Toro plays Ronald, a racist with eyes on leaving the mob if things swing his way. From director Steven Soderbergh comes the HBO Max original movie No Sudden Move. 1 h 55 m IMDb RATING 6.4 /10 36K YOUR RATING Rate POPULARITY 1,584 150 Play trailer 2:28 10 Videos 85 Photos Crime Drama Mystery A group of criminals are brought together under mysterious circumstances and have to work together to uncover what's really going on when their simple job goes completely sideways. Benicio del Toro and Don Cheadle in No Sudden Move. Don Cheadle plays Curt, a gangster with an ace up his sleeve who’s looking for redemption after a job went wrong and got bloody. THE PALE BLUE EYE is an American gothic horror mystery film written and. The story of No Sudden Move, now on HBO Max, hinges on real-life car manufacturer conspiracies and racist policies in Detroit. The first thing I have to mention is the cast, which is filled with A players. No Sudden Move’s direction, editing, and cinematography is by Steven Soderbergh, who’s been making pulp-informed crime films on and off since The Underneath (1995), including a vitalizing (and self-defining) adaptation of Leonard’s Out of Sight (1998).










No sudden move cinematography